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With his third feature film, The Lodger: A Story of the London Fog, Alfred Hitchcock took a major step toward greatness and made what he would come to consider his true directorial debut.
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Now - thanks to the extraordinary restoration efforts of Lobster Films, Blackhawk Films® Collection, EYE Film Institute, Cinémathèque de Toulouse, and the Centre National de la Cinématographie - Flicker Alley is able to present the four films featured on Dziga Vertov: The Man with the Movie Camera and Other Newly Restored Works in a brand-new, Blu-ray edition. In it, he comes closest to realizing his theory of 'Kino-Eye,' creating a new, more ambitious and more significant picture than what the eye initially perceives. They lay the foundation for what would become the crux of Vertov's revolutionary, anti-bourgeois aesthetic wherein the camera is an extension of the human eye, capturing "the chaos of visual phenomena filling the universe." Over the next decade-and-a-half, Vertov would devote his life to the construction and organization of these raw images, his apotheosis being the landmark 1929 film The Man with the Movie Camera. Dziga Vertov ("Kino-Eye")These words, written in 1923 (only a year after Robert Flaherty's Nanook of the North was released) reflect the Soviet pioneer's developing approach to cinema as an art form that shuns traditional or Western narrative in favor of images from real life. I am the machine that reveals the world to you as only the machine can see it.
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Murnau, a series of clips and highlights from other F.W. Remastered in high definition for the first time and making its Blu-ray debut exclusively from Kino Classics.īONUS FEATURES: Two-disc set features two versions of the film, the original German Intertitles (with optional English subtitles) or English Intertitles, Han s Erdmann s original 1922 score in 5.1 Surround or 2.0 Stereo, The Language of Shadows a 52 minute documentary chronicling the early career of F.W. Murnau was thus able to infuse the story with the subtle tones of nature: both pure and fresh as well as twisted and sinister. While directors such as Lang and Lubitsch built vast forests and entire towns within the studio, Nosferatu's landscapes, villages and castle were actual locations in the Carpathian Mountains.
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Nosferatu was an atypical expressionist film in that much of it was shot on location. Rather than depicting Dracula as a shape-shifting monster or debonair gentleman, Murnau's Graf Orlok (as portrayed by Max Schreck) is a nightmarish, spidery creature of bulbous head and taloned claws - perhaps the most genuinely disturbing incarnation of vampirism yet envisioned. An unauthorized adaptation of Bram Stoker's Dracula, Nosferatu is the quintessential silent vampire film, crafted by legendary German director F.